It's a mirror image of the movie but doesn't suffer near as badly for it. In "Edge of the World," cornets play at the music's outermost edge, hinting at a red Sonoran sunset. Orchestrations ride ambiently in the background, highlighting tension and drama. Daniel Lanois, who scored Thornton's Sling Blade (well, it actually sounds as if he threw a bunch of leftover studio bits on a tape for the movie), makes a return appearance here with an actual song. Waltz For Hope (from All the Pretty Horses). Dwight Yoakam - Pretty Horses [Official HD Audio] - YouTube Despite his already prodigious talents as a songwriter, singer, and musician who is almost single-handedly keeping the country music tradition alive in the modern idiom, Stuart has proven himself a capable and worthy composer of film music. Also, homage is paid to Stuart's greatest influence and benefactor, the daddy of bluegrass music himself, Bill Monroe. In another place, guitars, both strummed and soloed upon, create an impressionistic picture of a campfire jam session. But let's face it, they took two hours outta the thing! Lost love drips from the cowboy's hat, regret drapes itself in tears in his shaded eyes, and he stands out in the rain singing to no one. Sure, the movie was no Sling Blade, even if directed by the one and only Billy Bob Thornton. Clocking in at under 50 minutes, it's easy to hear where edits have been made out of longer tracks, though each piece flows into the next like water. He and his sextet have taken the drama of the film's text and created an aural theater of the American West. His "My Last Days on Earth" is included here. Find album reviews, stream songs, credits and award information for All the Pretty Horses [Original Soundtrack] - Original Soundtrack on AllMusic - 2000 - Sure, the movie was no Sling Blade, even if… Elsewhere, "Strawberry Tango, Part One and Two" features a full horn and string section painting the atmosphere at a cantina dance from its wild beginnings until its sultry ending. The track "Porque" features the stirring vocals of Raul Malo of the Mavericks, who contributed the lyrics to the selection. The only real complaint about this gorgeous score is its brevity. It's a sad, romantic ballad. (Everybody knows nobody was listening to bluegrass music in Texas or Mexico in the late '30s.) All the griping aside, the score, composed and performed by country music renaissance man Marty Stuart -- and his collaborating band members Kristin Wilkinson and Larry Paxton -- is something else completely. At the heart of each theme is a core of mandolin, viola, bass, guitar, accordion, piano, and percussion. Here's hoping there's more work of this kind in his future. Comprised of 23 tracks, Stuart's score does sound like soundtrack music, but no matter.
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